| Name | Last modified | Size | |
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| Performance & Installation/ | 28-Dec-2018 | - | |
| Te veo/Me ves | 26-Aug-2018 | 1.1 MB | |
| And those in the city... | 10-Aug-2018 | 2.3 MB | |
| On Record | 11-Apr-2018 | 890 KB | |
| La clase de dibujo libre | 17-Jan-2018 | 1.4 MB | |
| tattoo | 07-Jan-2018 | 1.1 MB | |
| Entrevidas | 05-Nov-2017 | 1.1 MB | |
| Rastros Corporales | 23-Jun-2017 | 673 KB | |
| Untitled (Rape Scene) | 08-Jul-2017 | 711 KB | |
| Smile Now Cry Later | 30-Jan-2015 | 554 KB | |
| Forward Motion (It's ... | 28-May-2013 | 131 KB | |
| Other Media/ | 26-Dec-2018 | - | |
| Curatorial | 23-Jun-2017 | 2.8 MB | |
| CV | 19-Dec-2018 | 47 KB | |
| Contact | 02-Jan-2015 | - |
July 8, 2017
Untitled (Rape Scene) (1973/2014/2017)July 8, 2017Performance: 39 minutes Video: 39 minutes; Color, Silent Post-performance installation: Mixed media; Dimensions variable "Herd," curated by Martabel Wsserman Angels Gate Cultural Center, San Pedro, CA
January 10, 2014 For this performance and installation, I reperformed Ana Mendieta's Untitled (Rape Scene) (1973), wherein the the audience found the artist, motionless, tied to her dining table, and surrounded by blood and signs of a struggle, in her apartment. I recreated the scene in my studio.
Video was taken by a camera on my bookshelf during the performance that was subsequently projected in the installation. My body is only partially recorded in the video, extracting what is no longer there and focusing on the witnesses. The audience's gaze is mirrored back to itself.
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